Great Story About Life
Violinist in the Metro
A man sat at a metro station in Washington DC and
started to play the violin; it was a cold January morning. He played six
Bach pieces for about 45 minutes. During that time, since it was rush
hour, it was calculated that thousand of people went through the
station, most of them on their way to work.
Three minutes went by and a middle aged man noticed
there was musician playing. He slowed his pace and stopped for a few
seconds and then hurried up to meet his schedule.
A minute later, the violinist received his first dollar
tip: a woman threw the money in the till and without stopping continued
to walk.
A few minutes later, someone leaned against the wall to
listen to him, but the man looked at his watch and started to walk
again. Clearly he was late for work.
The one who paid the most attention was a 3 year old
boy. His mother tagged him along, hurried but the kid stopped to look at
the violinist. Finally the mother pushed hard and the child continued to
walk turning his head all the time. This action was repeated by several
other children. All the parents, without exception, forced them to move
on.
In the 45 minutes the musician played, only 6 people
stopped and stayed for a while. About 20 gave him money but continued to
walk their normal pace. He collected $32. When he finished playing and
silence took over, no one noticed it. No one applauded, nor was there
any recognition.
No one knew this but the violinist was Joshua Bell, one
of the best musicians in the world. He played one of the most intricate
pieces ever written with a violin worth 3.5 million dollars.
Two days before his playing in the subway, Joshua Bell
sold out at a theater in Boston and the seats average $100.
Joshua Bell playing incognito in the metro station was
organized by the Washington Post as part of an social experiment about
perception, taste and priorities of people. The outlines were: in a
commonplace environment at an inappropriate hour: Do we perceive beauty?
Do we stop to appreciate it? Do we recognize the talent in an unexpected
context?
One of the possible conclusions from this experience
could be:
If we do not have a moment to stop and listen to one of
the best musicians in the world playing the best music ever written, how
many other things are we missing?
